如果把这部电影看作香港城市记忆的一次回收，它的意义会更清楚。《夜王》不试图为夜总会立碑，也没有把它洗白成温情乡愁。它只是承认：香港确实有过这样的夜晚，有过这样的空间，有过一套依赖灰度与情义运作的社会机制，而当那套机制被替换，人需要面对的不只是行业的消失，还有自我认同的漂移。曾经熟悉的城市，在某一天会变得陌生。曾经相信的规则，在某一天会突然失效。
But there’s also that annoying, gnawing truth: You don’t know what you don’t know. This has, for decades, been an apt adage for describing life in this experimental orbital colony. Eventually, though, different aphorisms will come into play. Yes, it’s true: You don’t know what you don’t know. But we do know that all good things come to an end. And that what goes up must come down.
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